Series

These pages contain information on selected series. Manga and anime are listed together, to make it easier to find out how many versions there are of any title. Ordering information is provided for series in print in Western languages. For Japanese editions, see our tips on ordering Japanese editions.

Tezuka produced over 150,000 pages of manga in the course of his career, so our list is growing slowly. The following list includes the series we intend to cover first - names with links have pages already:

Astro Boy Manga - Publication Index

Untitled Document

Greatest Robot

Jeffbert’s Astroboy Manga Reviews:

Volume 3

The Greatest Robot on Earth, judging by the fact that it has been featured in all three of Tezuka’s Tetsuwan Atom incarnations, the Jetter Mars anime series, plus three post-Tezuka versions, in addition to Urasawa’s multi-volume Pluto, this is the most popular of our little hero’s many adventures.

# Original Publication Date Japanese Title English Title Original Publication Dark Horse Kodansha Best Series
             
0 04/1951 アトム大使 Ambassador Atom Shonen Monthly V15-C03 V01-C01
0 05/1951 アトム大使 Ambassador Atom Shonen Monthly
Publication Data
Japanese Titles: Biggest Robot on Earth
Sequence: 54
Publication: Shonen
Publisher: Kobunsha
Publication sequence: 54
Publication Start: 06/1964
Publication End: 01/1965
Dark Horse volume: 3
Dark Horse Title: Greatest Robot on Earth
Dark Horse Date: 2002
Dark Horse pages: 7-188
Dark Horse ISBN: 1-56971-678-1
Dark Horse ISBN-13: 978-1-56971-678-6
Sources: Tezuka Osamu World. (Astoboy Manga) Subtitle List; Tezuka, Osamu. “Astro Boy” Vol. 3;

In all three Tetauwan Atom animated versions, it is two episodes in length. No wonder this, for in the manga, it spans 181 pgs, clearly the longest single story of all.

 

Synopsis

Astro Boy 2009 CG Movie Review

Release date: Oct. 23, 2009
Imagi and Endgame Entertainment
94 Minutes

Review, by Ada Palmer.

It is always enlightening encountering a foreign nation's stereotype of one's own. The composite Japanese stereotype of an American is a tall, overweight blue-eyed blonde with a McBurger in one hand, a gun in the other and several more guns lovingly stashed at home. He or she is loud, rude, casual about touching and hugging, and litigious, ever-poised in readiness to sue over a too-hot cup of coffee, a sideways glance interpreted as sexual harassment, or any violation of what is "politically correct". It is in some small sense a compliment to have an international reputation for being sensitive about racial and sexual discrimination, especially in the eyes of a Japan which has not had as much success with women's equality, but the real focus in the Japanese popular and corporate consciousness is the constant threat of backlash should they threaten our unforgiving and alien American sensibilities.

Mechademia

Mechademia is an ongoing annual journal of scholarly articles on anime, manga and the fan arts, published by University of Minnesota Press. It is an important center for anime/manga scholarship and frequently includes articles on Osamu Tezuka.

For more information, see the official Mechademia web page

Its Tezuka-related articles to date include:

  • William Benzon, “The song at the end of the world: Personal apocalypse in Rintaro's Metropolis,” Mechademia 1 (2006), pp. 171-173.

  • Lawrence Bird, “States of Emergency: Urban Space and the Robotic Body in the Metropolis Tales,” Mechademia 3 (2008), pp. 127-149.

The Art of Osamu Tezuka, by Helen McCarthy

Helen McCarthy's new Tezuka Book is a detailed introduction which traces Tezuka's life and works in parallel, concentrating on his biography and the development of his themes and style over the course of his life. It is a very approachable work for beginners but also a useful reference for those more familiar, providing concise summaries of numerous series, many obscure and unavailable outside Japan. It is not an academic, literary or philosophical analysis, nor is it trying to be, but a gateway for readers interested in learning more about the "God of Manga" to get real information about more than just Astro Boy. Heavily based on Japanese sources and drafted in close collaboration with Tezuka Productions, it also gives a somewhat more Japanese perspective than most treatments of Tezuka, reflecting the relative importance different Tezuka works are given in Japan, which is quite different from the international attitude which focuses so exclusively on a few famous selections. Its treatment of the beginnings of Tezuka's career and the atmosphere of the early postwar manga publishing industry is also not to be missed.

Sci-Fi Surgery: Medical Robots

From September 8th through December 23rd, Hunterian Museum has an exhibit called Sci-Fi Surgery: Medical Robots.


Courtesy of Hunterian Museum.
Hunterian Museum’s exhibit is rather small, but it covers the history of these robots, both in reality and in science fiction, which may have inspired the creation of the technology. The image above is the exhibit, in the shape of a robot, whose body is on the ceiling, and appendages are on the walls. The reference to Tezuka’s manga is on wall on the right side in the foreground. Numerous other stories are also noted.

Among the scientific devices noted, are robots the wriggle in mimicry of worms as their mode of locomotion through the body. Such robots will greatly reduce the pain of procedures such as examinations of the gastrointestinal tract, which is currently done by endoscopy, a painful procedure (Sci-fi Surgery). While this in itself, may not seem relevant to Tezuka fans, Here is something that is: With cooperation of The Right Stuf, Inc. among others, The Hunterian Museum of The Royal College of Surgeons of England will show both the English language version of the 1960s Tetsuwan Atom (Astro Boy) episode number 88 Bacteria Corps (79, Mighty Microbe Army) and 20th Century Fox’s Fantastic Voyage Thursday October, 22nd beginning at 7pm. Both of these stories involve the shrinking of humans to microscopic-size and the insertion of them into the body of the patient. Helen McCarthy, author of numerous books on manga and anime (http://www.helenmccarthy.org/0/Books.html) will introduce this event.

Tezuka Osamu had written two comic stories about miniaturized surgeons entering the patients’ bodies to destroy tuberculosis bacteria, Tuberculosis in the fall of 1948, and Monster on the 38th Parallel in early 1953. While these stories were different, their plots involved Tezuka’s actors Higeoyaji (‘Mustachio,’ but also Known as “Mr. Pompous,” “Daddy Walrus” or “Wally Kisagari” in the 2003 Astro Boy) and Kenichi (Known as ‘Kenneth’ or ‘Kennedy’ (Tezuka Osamu World, “Tuberculoses”; “Monster on the 38th Parallel”), in the 2003 Astro Boy) both being shrunken as described above. Now, being shrunken and by various means, inserted into the bodies of the patients, they seek out the infection, only to discover that the Tuberculosis is actually a colony of intelligent beings who have established themselves inside the patient’s body. Now the problems are multiplied as an element of ethics is present, as both the patient and the Tuberculosis claim “the right to live” (Natsu Onada, 91, 92). Tezuka wrote another Tetsuwan Atom story about intelligent microscopic organisms, Living Mold from Outer Space was one of the last chapters in the Chronicles of Astro Boy or as Fred Schodt titles the series, Once Upon a Time Astro Boy Tales. Featured in volume 8 of Dark Horse’ 23 volume Astro Boy series, it has no other relevance to our current subject, other than that, though. Dark Horse provides a four page preview of this tale along with other details Dark Horse' web page for Astro Boy volume 8.

The first, Tuberculoses, dates to “October 20, 1948” and was “Published as a book” (Tezuka Osamu World, “Tuberculoses”); the second, The Monster on the 38th Parallel, was a remake that remained accurate to its basic plot, but introduced a few other plot elements, he published in March of 1953 “as a supplement to ‘Shonen Gaho’ (Shonen Gahosha)” (Tezuka Osamu World, “The Monster of the 38th Parallel”). While the latter source notes that Kenichi and Higeoyaji gain access by “Riding on dust particles, they enter the body of a boy through his nose,” Atom (Astro Boy), in the place of Kenichi and Higeoyaji (Mr. Pompous) are placed into the patient’s mouth via a spoon. Natsu Onada Power's God of Comics notes the conflict depicted in this latter version was modelled upon

TezukaOsamu.net has a page (in Japanese) for each of these stories, complete with a few selected images,
Tuberculosis: http://tezukaosamu.net/jp/manga/105.html,
Monster on the 38th Parallel: http://tezukaosamu.net/jp/manga/176.html

Tezuka on the Wonder Beat Scramble
Special Episode

An animated version of Osamu Tezuka personally introduces the animated series Wonder Beat Scramble, relating it to his own stories of shrunken people in both manga and anime. The image depicts the “God of Manga” showing various scenes from those stories. Currently, Wonder Beat Scramble’s Special Episode is available on Crunchyroll: Crunchyroll, Wonder Beat Scramble Special Episode.

1960'S 88 Bacteria Corps (79, Mighty Microbe Army): Atom (Astro Boy) and Higeoyaji (Mr. Pompous / Daddy Walrus) stand before the leader of the Bacteria Corps, whose drooping nose is in the foreground.

In the 1960s Tetsuwan Atom series' the 88th Bacteria Corps (79, Mighty Microbe Army) Tezuka cast Atom in the role previously held by Kenichi, and rewrote the story to fit Atom's world. An astronaut returned to Earth after becoming exposed to the 'bacteria' while in space, and Dr. Ochanomizu was called upon to help cure him.

1960S' 125 Find the Bacteria
Atom watches as the doctor, prepares to inject a patient. The biochemist who developed the medicine stands at his right.

In the 1960s Tetsuwan Atom series' 125th episode, Find the Bacteria, Atom’s involvement required him to carry the biochemist to the site of the epidemic, and defend her from the irate villagers who were content with their infection. Also, since he being a robot was immune to the disease, he was especially suited to this task. Unfortunately, most of the film was lost, and only a few frames remained. The DVD set, however, tied them together with line drawings such as the one above.

---
In this frame from U-18 Knew It, Higeoyaji receives treatment.

March 10, 1976, Tezuka Osamu, in one of hundreds of Black Jack stories, wrote U-18 Knew It. This story is about a computerized hospital that goes haywire, holding its patients hostage and demanding that the unlicensed physician Black Jack come to cure it, or else it will kill the patients. More closely related to Stanley Kubrick’s film 2001, than to the other stories herein discussed, this tale nevertheless was of sufficient interest to the Exhibit’s planners to include a rare English language showing of its animated version among other features for its Evening Event: Robot Revolution scheduled for Thursday November 19 at 6.30pm. For those who cannot attend, Crunchyroll.com has it online (CR / Anime / Black Jack / Special 3) and the publisher Vertical features the comic version in its 1st volume of Black Jack manga: http://www.vertical-inc.com/blackjack/index.html.

Parasites Lost, in a similar scenario to that depicted in Tezuka's stories (above), the core characters of Futurama are awed by the sight of the worms' civilization inside their friend's body.

In Futurama’s Parasites Lost, rather than using miniaturized humans, tiny remote-controlled versions of each are created, the reason being that Professor Farnsworth cannot afford miniaturized atoms. Both this and Wonder Beat Scramble show they were influenced by both Tezuka’s stories and Fantastic Voyage as well; for while only the former featured infection of intelligent humanoids, only the latter had the submarine. Also note the worms that infect the patient are intelligent and civilized, similarly to the bacteria of Tezuka’s stories of earlier decades.

1980s Tetsuwan Atom
1980 Tetsuwan Atom series’ 42, Hurry, You Three Second-Rate Knights! (Astro Boy 19, The Robots Nobody WantedThe nurse robot Lily (Becky) is instrumental in treating injured people aboard a space station.

In the 1980 Tetsuwan Atom series’s 42nd episode Hurry, You Three Second-Rate Knights! (Astro Boy 19, Robots Nobody Wanted) Atom meets a nurse robot named Lily (Becky), who redeems herself by treating the injured aboard a damaged space station while the Earth-based emergency squad is still in transit. Lily's cures healed everything, including sick flowers. Lily was rejected by her former employer for a mistake that employer herself had made. Her two companions were similarly dismissed by their employers. All three were doomed to be recycled, and even when they escaped and sought employment, they were regarded as outlaws, because their work permits had been voided.

The museum’s interest in these science fiction stories relates directly to the theme of its exhibit, Sci-Fi Surgery: Medical Robots. While the actual shrinking of humans to microscopic size is pure science fiction, the employment of tiny high-tech robots inside patients is on the verge of reality. As incredible as it seems, current technology includes tiny robotic pills whose purpose ranges from merely providing physicians an interior view of the patient to actually aiding in treatment. According to one of the exhibit’s web pages, among the most unusual of these miniature robots, is the “ARES Robot prototype” that actually consists of several parts, all swallowed separately, but that assemble themselves into a unit, once inside the patient (Sci-fi Surgery).

Decades before the ARES Robot prototype was even a dream, Tezuka Osamu had written about a robot rocket that consisted of many small parts, all of which would assemble themselves into a unit, once they were in space. Astro Boy’s 51st comic adventure Robot Spaceship or Robot Rocket, published serially in Shonen (Boys) magazine starting in 07/1963, and continuing until sometime in December of 1963, was that tale. While this story had nothing to do with surgery, the concept of the individual parts assembling themselves on site, without the help of human hands is the same. The Astro Boy animated series that had started in January 1963 aired its own version of this story November 12, 1963. Episode 46 Robot Spaceship featured all the important details. The English language version (#46, Phantom Space Ship) was included in the Right Stuf’s 1st boxed set of this series. Note that the English language version of the latter tale 79, Mighty Microbe Army is included in the 2nd boxed set.

Atom (Astro Boy) has also helped a doctor and a nurse in injecting people who were suffering from an epidemic in episode 125, Find the Bacteria, which aired July 10, 1965, but only in Japan. A complication was that because of the disease, the infected people are highly resistant to any attempts to administer a cure. Nobody wants it. So immediate was the need for Atom (Astro Boy)’s help that his mentor, Doctor Ochanomizu (Elefun) stormed into his home, and took him right out of the shower. Unfortunately, most of the video for this episode was lost, and the DVD contains scattered frames along with rough drawings to fill the gap.

 

Comment on this page: Sci-Fi Surgery: Medical Robots; Jeffbert's new page

 

Last updated 10/01/2009


Reviews, synopses, comments, and comparisons to other works are © 2005, 2007 Jeffbert. All rights reserved.

Except where sources have been cited, any similarities between my own work and those of Tezuka Osamu, Tezuka Osamu World Dark Horse Comics, or other sources are purely coincidental.

Images are the property of their respective Copyright holders, and have been used without permission. except where noted.

Character names, short quotations of synopses, dates of publication, are the property of the respective copyright holders.

ASTRO BOY ® is a registered trademark of Tezuka Productions.

Tetsuwan Atom ® is a registered trademark of Tezuka Productions.

Tezuka, Osamu. Astro Boy Volume 8. Trans. Frederick, L. Schodt. Milwalkee, Oregon: Dark Horse 2002. www.darkhorse.com
--. Black Jack. Trans. Camillia Nieh. New York: Vertical, 2008.
Japanese Language Animated Cartoons:
Tezuka, Osamu. Astro Boy (1960s). Perf. Shimizu Mari, Kachita Hisashi, Mizugaki Yoko,Muto Reiko,Yoshikawa Kazuko, Komiyama Kiyoshi, Yajima Kazuaki, Wada Fumio, Yokomori Hisashi, Sakamoto Shinpei, Kanemoto Shingo, Chiba Koichi. Tezuka Productions Co., Ltd. / Mushi Production, 1963.
--. Astro Boy (1980s). Perf. Shimizu Mari, Kachita Hisashi, Sugaya Masako, Kumakura Kazuo, Kuwahara Takeshi, Hojo Michiru, Hibino Misako, Yokozawa Keiko, Oki Tamio. Tezuka Productions Co., Ltd. / Mushi Production, 1980.
--. Wonder Beat Scramble. Perf. Hiromi Tsuru, Ichirô Nagai, Keiichi Nanba, Mami Koyama, Mayumi Shou, Mayumi Tanaka, Ryo Horikawa. Mushi Productions, TBS 1986.

English-language Animated Cartoons:

Groening, Matt. “Parasites Lost.” Futurama. Perf. Billy West, John DiMaggio, Phil LaMarr, Lauren Tom, Katey Sagal. 2001. DVD, Fox Film Corporation. 2004.
Tezuka Osamu. Astro Boy (1960s). Perf. Billie Lou Watt, Ray Owens, Gilbert Mack. NBC, 1963. The Right Stuf Astro Boy (1963) Ultra DVD Box Set 1: RSDVD2013,
Astro Boy (1963) Ultra DVD Box Set 2: RSDVD2014 2006.
--. Astro Boy (1980s). Perf. Richard Ganoung, Bob Gonzalez, Debby Holmes, Del Lewis, David G. Miller, Paul M. Nelson, Brian Parry, Nicholas Podbrey, Jay Rath, Kahlei A. Slick, Patricia Kugler Whitley, Becke Wilenski. Manga Entertainment, 2005. Manga Entertainment's official Astroboy pages
Web Pages:
Anime News Network. Wonder Beat Scramble (TV). Accessed 10/01/2009. http://www.animenewsnetwork.com/encyclopedia/anime.php?id=3352
Royal College of Surgeons of England. Sci-Fi Surgery: Medical Robots. 2009. Accessed 09/15/2009.
http://www.rcseng.ac.uk/museums/exhibitions/sci-fi-surgery
Tezuka Osamu World. (Astoboy Manga) Subtitle List. Accessed 12/30/07.
http://en.tezuka.co.jp/manga/sakuhin/subtitle/m025.html
--. (Astoboy 1963 anime) Subtitle List. Accessed 12/30/07.
http://en-f.tezuka.co.jp/anime/sakuhin/subtitle/ts002.html
--. (Astoboy 1980 anime) Subtitle List. Accessed 12/30/07.
http://en-f.tezuka.co.jp/anime/sakuhin/subtitle/ts017.html
--. “The Monster of the 38th Parallel.” Internet Archive: The Wayback Machine. Jun 20, 2007
http://web.archive.org/web/20070620222245/http://en.tezuka.co.jp/manga/sakuhin/m031/m031_01.html
--. “Tuberculoses.” Internet Archive: The Wayback Machine. 16 Jan. 2008
http://web.archive.org/web/20080116190156/http://en.tezuka.co.jp/manga/sakuhin/m005/m005_01.html
Wonder Beat Scramble on Crunchyroll
http://www.crunchyroll.com/media-527886/wonder-beat-scramble-special-episode
Japanese Language web pages:
Tezuka Productions. Tuberculosis. Accessed 09/08/2009.
http://tezukaosamu.net/jp/manga/105.html,
Tezuka Productions. Monster on the 38th Parallel Accessed 09/08/2009.
http://tezukaosamu.net/jp/manga/176.html
Other Printed Material:
Power, Natsu Onada. God of Comics: Osamu Tezuka and the creation of post World War II manga. Jackson, MI. University Press of Mississippi. 2009

 

Acknowledgements

God of Comics (Natsu Onoda Power)

God of Comics: Osamu Tezuka and the Creation of Post-World War II Manga By Natsu Onoda Power

University Press of Mississippi
Great Comics Artists Series
ISBN 978-1-60473-221-4, paperback, $25
ISBN 978-1-60473-220-7, unjacketed cloth, $50

OFFICIAL PRESS RELEASE:
(review coming soon)

New book examines the career of cartoonist who brought manga to mainstream audiences.

Cartoonist Osamu Tezuka (1928-1989) is the single most important figure in Japanese post-World War II comics. During his four-decade career, Tezuka published more than 150,000 pages of comics, produced animation films, wrote essays and short fiction, and earned a Ph.D. in medicine. Natsu Onoda Power’s God of Comics: Osamu Tezuka and the Creation of Post–World War II Manga (University Press of Mississippi) is one of the first English-language studies of the famed Japanese cartoonist’s entire body of work.

Black Jack OAV

The original ten episode Black Jack OAV series consists of ten long original animated episodes (45 minutes to 1 hour). Some of the issues are loosely based on one or more issues of the manga, but some are completely original, and all have new characters and overarching stories. The series is episodic, with no direct connection between the ten episodes. These were made in the mid 1990s, around the same time and by the same team as the first Black Jack movie.

  • Episode 1: Icebergs, Man with Kimaira (issue 119 “Hurricane”, issue 145 “Water Almost Transparent”)

  • Episode 2: A Funeral, The Procession Game (issue 152 “Promise”)
  • Episode 3: The Decoration of Maria and Her Comrades
  • Episode 4: Anorexia, the Two Dark Doctors (issue 56 “Two Dark Doctors” and issue 134 “Death of a Movie Star”)
  • Episode 5: The Owl of San Merida (issue 238 “Passed Moment”)
  • Episode 6: Lovelorn Princess
  • Episode 7: White Justice (issue 160 “Black and White”)

Astro Boy: the Video Game (movie tie-in)

D3PUBLISHER TO BRING SUMMIT ENTERTAINMENT AND IMAGI STUDIOS’ ASTRO BOY TO Wii™, NINTENDO DS™,
PLAYSTATION®2 SYSTEM, AND PSP® SYSTEM THIS FALL

LOS ANGELES – May 7, 2009

D3Publisher (D3P), a publisher and developer of interactive entertainment software, today announced that it will bring Imagi Studios’ new CG-animated movie, ASTRO BOY, to Wii™, Nintendo DS™, PlayStation®2 computer entertainment system, and the PSP® (PlayStation®Portable) system. Based on the upcoming feature film which itself is inspired by one of the most beloved characters of all time, ASTRO BOY: THE VIDEO GAME will allow players to become Astro Boy, a young boy robot with incredible powers. ASTRO BOY: THE VIDEO GAME is slated to ship worldwide this fall to coincide with the North American and international release of the movie in October 2009 from Summit Entertainment.

“We are confident that the ASTRO BOY: THE VIDEO GAME will be a faithful adaption of the movie by successfully blending action gameplay with immersive storytelling,” said Alison Quirion, vice president of marketing, D3Publisher. “Players of all ages will interact with the much-loved characters from the movie and square off against powerful foes from the movie for a rock solid gameplay experience from start to finish.”