Hatching, Tone, Color
Posted: Mon Jul 26, 2010 9:38 am
I have been debating which is better (to put it simply), or which people would prefer:
First option is cross hatching, stipling, or various ink work used for texture, gradation or just to indicate a different "shade". A prominent user of such technique is Osamu Tezuka:
Here you see the detailed and precise line work on the wall and ceiling behind the characters(click on image for close up).
Then we have tone, which is the standard for contemporary manga:
Tone is tiny black dots of various sizes to give the appearance of the color gray without actually using color (making it cheaper to print). Traditionally tone is printed on a sticky film, which is then applied to the original artwork, though in America we can produce the same effect using Photoshop. Here you see tone in the flash-back, in the philosopher stone "blob", Edward's coat and on one of the character's face.
Lastly, we have color:
Self explanatory.
So hatching is cooler because it requires more skill, but is time consuming. Tone is obviously the quickest option, as its job of differentiating surfaces is achieved. Color is probably the most pleasing to the eye, but is also time consuming and requires skill (which few manga artist accomplish well, in my opinion)
So I ask for your opinion, as manga readers, because I plan to write comics and I'm debating whether to spend more time on art, or just do a "quick" job just to finish it.
What do you guys think?
First option is cross hatching, stipling, or various ink work used for texture, gradation or just to indicate a different "shade". A prominent user of such technique is Osamu Tezuka:
Here you see the detailed and precise line work on the wall and ceiling behind the characters(click on image for close up).
Then we have tone, which is the standard for contemporary manga:
Tone is tiny black dots of various sizes to give the appearance of the color gray without actually using color (making it cheaper to print). Traditionally tone is printed on a sticky film, which is then applied to the original artwork, though in America we can produce the same effect using Photoshop. Here you see tone in the flash-back, in the philosopher stone "blob", Edward's coat and on one of the character's face.
Lastly, we have color:
Self explanatory.
So hatching is cooler because it requires more skill, but is time consuming. Tone is obviously the quickest option, as its job of differentiating surfaces is achieved. Color is probably the most pleasing to the eye, but is also time consuming and requires skill (which few manga artist accomplish well, in my opinion)
So I ask for your opinion, as manga readers, because I plan to write comics and I'm debating whether to spend more time on art, or just do a "quick" job just to finish it.
What do you guys think?